Devouring The Latest Christmas Films: The Hits, The Misses, and The Guilty Pleasures.

‘Tis the season to relax on the couch and demolish a box of holiday pastries in front of a terrific flick, a awful feature, or one that’s terrible yet terrific.

As always, a crop of new holiday movies hopes to be part of our festive viewing—perhaps even earning a place alongside enduring classics like Home Alone, Elf, Love Actually, and Die Hard (don’t start).

Therefore, in a vital public service to separate the winners from the losers, and to embrace the Christmas spirit, I watched as many fresh holiday releases as possible in a single day.

First Up: The Jonas Brothers' Holiday Flick

Starting, optimistically, on a positive note. This is the sole 2025 entry on a well-known aggregator's list of the top 100 festive features of all time.

The Jonas Brothers are stranded in the UK after finishing their world tour and must get home for Christmas. Their endeavors are hampered by an villainous Saint Nick, who sings to announce they won’t get home until they “rediscover their sibling bond.”

The repartee between the arguing trio is entertaining even for the casual viewer, while fans will certainly pick up on lots of in-jokes as they endeavor to get back using any means of transport necessary.

It’s private planes, trains and automobiles.

It’s not a timeless masterpiece, but is excellent for fans and a positive start to the day.

Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who must sit through it.

8.45am - Tinsel Town

A-list actor Kiefer Sutherland stars as a celebrity cast a traditional British stage show.

“A what's a panto??” asks Sutherland’s “temperamental” and aging lead Brad Mack, who has seen better days and whose representative has misled him into thinking he’s performing in high-class London stage.

His Aladdin fellow actors tell him he’s playing Buttons. “Oh no I’m not,” he retorts. It's easy to predict their retort. Except if you’re unfamiliar with traditional panto catchphrases.

There are some hilarious moments, some touching sub-plots, and the supporting actors is cracking, too.

It’s the type of film that would be a bit cheesy at another season, but is a lot of fun at Christmas.

Festive score: 🎄🎄🎄🎄

A New Spin on Scrooge

An actor pops up at the beginning of this film, too, calling someone a mug for the second film in a row. Might this become a new Christmas tradition?

This time, he’s a musical taxi operator who picks up Mr Sood, the modern take on Mr Scrooge from Charles Dickens’ A Christmas Carol.

Mr Sood is played by a star of Kunal Nayyar and Christmas Karma is directed by Bend It Like Beckham’s Gurinder Chadha. The well-known tale unfolds as the stingy Mr Sood is confronted by the apparitions of Christmas past, present and future, played by Hugh Bonneville, Billy Porter, and Boy George.

This cultural adaptation is at least distinct from all the others, but unfortunately he’s not very captivating and Nayyar’s portrayal is wooden—a significant issue when he’s so the main character.

Holiday verdict: 🎄🎄

12.04pm - Stuffed

There’s time for a channel's holiday special—which stars Guz Khan as a charmingly cantankerous character who “isn't big on Christmas.”

But after he gets an £8,000 Christmas bonus at work, his wife (portrayed by Morgana Robinson) persuades him blowing the money on a holiday to Lapland.

There’s just one problem—he learns there was an mistake with his bonus, which should have been £800, and he has to figure out how to pay back the difference.

Pleasant yet unmemorable.

Christmas tree rating: 🎄🎄

Early Afternoon: Champagne Problems

This is one of those Christmas films where the decorations and snow are in the backdrop—Christmas is the environment of the film rather than its main point—but it feels comfortable and seasonal all the same.

Driven corporate star Sydney (starring Minka Kelly) is dispatched to a vineyard to negotiate a purchase for a sparkling wine company. En route, she meets a guy in a book store who offers to show her Christmas in Paris.

A commentator recently claimed this is the best new Christmas film of the past few years. That’s a bit of a exaggeration, but it is a Christmas romance with a hint of sophistication and gives the obligatory heartwarming sensation.

The scene with a detailed conversation about Die Hard is particularly strong too.

Festive score: 🎄🎄🎄

A Charming Quest

Sixteen-year-old Chris, played by Lenny Rush, holds onto his belief in Father Christmas, despite the efforts of his dad (starring James Buckley) to tell him the truth.

The secret is somewhere, and Chris embarks on a quest to find it with the expert help of a team of well-known scientists and personalities.

It’s understated but endearing, and perfect viewing while waiting for Santa to visit.

Festive score: 🎄🎄🎄

A Star-Studded Family Drama

Michelle Pfeiffer is the matriarch of a dysfunctional American family who gather for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.

Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”

So that’s the premise, but in practice it’s really a jumble of those inspirations, at least until Pfeiffer’s character eventually comes into her own.

Christmas tree rating: 🎄🎄

Formulaic Fun

The day’s gone downhill, but fortunately here’s a new offering in the packed genre of formulaic, schmaltzy, badly acted—and highly entertaining—festive fodder.

It’s a narrative as old as time: An American woman goes on a quest to a far-off wintery locale and ends up finding romance.

In this case, Caprice Bourret plays a publisher

Daniel Anderson
Daniel Anderson

A seasoned journalist with over a decade of experience covering UK politics and social affairs, known for insightful reporting.